In Memory of Maggie Smith, the Stealth Comedy Queen
Maggie Smith had the most expressive face. She could say and do more with a roll of an eye or purse of her lips than most of her peers with pages of dialogue.
Maggie Smith had the most expressive face. She could say and do more with a roll of an eye or purse of her lips than most of her peers with pages of dialogue.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
The Beach Boys documentary appeals to Gen Z and Gen Alpha via Disney Plus with a breezy, linear, appreciation of the band’s sunny legacy.
The 81st edition of the preeminent Venice Film Festival sees heaps of madly ambitious, off-kilter releases by Jon Watts, Brady Corbet and Pedro Almodóvar.
Masterfully layered and confidently executed, I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Francis Ford was an important silent film actor and director, and not just for being John Ford’s brother. Star Lillian Gish had the clout to get what she wanted.
Nathan Silver’s 1970s-styled throwback Between the Temples is a comedy of people awkwardly fumbling toward purpose, faith, and meaning.