Arcade Fire’s ‘Funeral’ Still Amazes As a Conceptual Statement
On Funeral, Arcade Fire found catharsis in music while processing grief for the loss of loved ones. As a result, they shifted the course of indie rock.
On Funeral, Arcade Fire found catharsis in music while processing grief for the loss of loved ones. As a result, they shifted the course of indie rock.
When Paul McCartney lost Linda McCartney in 1998, he described his grief as all-consuming, grief that haunts her sole solo studio album, ‘Wide Prairie’.
The release history of Elvis Costello’s Almost Blue provides a framework for examining how the delivery of recorded music can relate to our experience of it.
Skank’s Calango mixes Jamaican reggae, Latin percussion, keyboards, and guitars into a blend that sounds very much from Brazil and yet completely alien.
The Promise Ring’s Very Emergency succeeds by subverting expectations but delivering ten nuggets of power pop and a rebuke of the emerging emo tropes.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
A prolific conductor and a sophisticated synthesizer make for an under-appreciated but vastly important album in Frank Zappa’s prodigious catalog.
Definitely Maybe is the definitive statement in the Oasis catalog, an album of its time but also transformative in what was yet to come.
Jawbox’s major label debut is their most beloved album, a perfect marriage of songwriting and production that sounds as thrilling today as it did 30 years ago.
Despite not being strictly metal, Mr. Bungle’s unhinged musical adventurousness showed heavy metal could get weird and silly without losing the heaviness.