Xiu Xiu’s Latest Album Shows Off Their Irresistible Noise
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
With Up on the Hill, Otis Shanty have taken the guitar-based, dream pop template and reinvented it beautifully for a new era.
Percussionist Max Jaffe chronicles his years in New York City with the twitchy, unsettling, experimental jazz of Reduction of Man.
Japanese multi-instrumentalist and composer Masayoshi Fujita weaves mallet percussion and synths together for an arresting experience on Migratory.
Trailblazing avant-garde artist Laurie Anderson tells the story of Amelia Earhart in a wonderful, engaging musical documentary.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
A prolific conductor and a sophisticated synthesizer make for an under-appreciated but vastly important album in Frank Zappa’s prodigious catalog.
The deeply strange but sonically seductive duo Budokan Boys unleash a typically bonkers new EP. ‘Are You Sick?’ Highlights their odd, dark world.
Umberto is a master of creating moods that may be unfamiliar and alien but, like the best ambient music, are eventually welcoming in their own way.
Chuck Johnson’s soundscapes have a widescreen feel with pedal steel guitar, twangy fingerpicking, and well-executed use of synthesizers and meditative drones.
Ever-evolving experimental guitarist and composer Jessica Ackerley talks about – among other things – their eclectic and ambitious new solo album.