Arcade Fire’s ‘Funeral’ Still Amazes As a Conceptual Statement
On Funeral, Arcade Fire found catharsis in music while processing grief for the loss of loved ones. As a result, they shifted the course of indie rock.
On Funeral, Arcade Fire found catharsis in music while processing grief for the loss of loved ones. As a result, they shifted the course of indie rock.
When Paul McCartney lost Linda McCartney in 1998, he described his grief as all-consuming, grief that haunts her sole solo studio album, ‘Wide Prairie’.
Drummer for post-hardcore legends Jawbox, Zach Barocas is living his best life creating jazz with friends in New Freedom Sound. He discusses his new music.
This is what happened when college-age music enthusiasts raided empty FM radio studios and played whatever turned them on.
As a kid in landlocked Texas, Frank LoCastro has wanted to make Exotica music. With Kolumbo’s sophomore LP, his dream of touring tiki bars is within reach.
Maggie Smith had the most expressive face. She could say and do more with a roll of an eye or purse of her lips than most of her peers with pages of dialogue.
With 2017’s Aromanticism, Moses Sumney negotiates the self as body and spirit and attempts to reconcile his emotions and sexuality with his religion.
Festival De Musique Émergente is about discovering new music. When you go exploring on one night, you’ll uncover at least one new favorite artist, guaranteed.
The release history of Elvis Costello’s Almost Blue provides a framework for examining how the delivery of recorded music can relate to our experience of it.
Two decades out from their wild debut, Xiu Xiu’s Jamie Stewart and Angela Seo reflect on their fans, band-free music videos, and uncompromising new LP.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
For a record conceived of following the 2016 US election and a global pandemic, ambient maestro Rafael Anton Irisarri is ready to soundtrack our downfall.