Masculine Movie Icon Alan Ladd As the Wounded Outlaw Hero
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
Americana singer-songwriter Shelby Lynne talks to PopMatters about her acclaimed new album, Consequences of the Crown, and the long road it took to get here.
Skank’s Calango mixes Jamaican reggae, Latin percussion, keyboards, and guitars into a blend that sounds very much from Brazil and yet completely alien.
There are debates about technobrega’s origins, but tracking its history leads us to one artist and one song: “Lana” by Tonny Brasil.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
The Promise Ring’s Very Emergency succeeds by subverting expectations but delivering ten nuggets of power pop and a rebuke of the emerging emo tropes.
Ionnalee has electronic LPs under multiple monikers, but she uncovers her full songwriting prowess by dropping a double-album split between English and Swedish.
It’s fitting that these video games set in 19th century England transform reading into a form of socializing, as reading in the 19th century was communal.
The best electronic music of 2014 could be found in thoughtful experimentation and dancefloor-ready fun. But the ones who led the way were the pioneers.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Jump back a decade to revisit the best indie rock of 2014, where newer acts did more than just fill the vacuum left by the usual suspects.
Travel back ten years ago to 2014 and discover the best new musical artists that lit up the year, and hear their latest music to see how they’ve evolved.