The best electronic music of 2014 could be found in thoughtful experimentation and dancefloor-ready fun. But the ones who led the way were the pioneers.
Explore 50 of the most brilliant, impactful, innovative, and controversial albums of the classic post-punk era, the reverberations of which will be felt for generations.
Ousmane Sembène’s Mandabi (1968) unravels Senegal’s post-colonial entanglements and centers African people, places, and experiences at every frustrating step.
Is there freedom for the filmmaker and for viewers in the director-revised films that comprise ‘World of Wong Kar-Wai’, or just a forced regression?
Park Chan-wook’s South Korean thriller ‘Joint Security Area’ shows us how easy it could be to build a brotherhood with our enemies.
Is there an artwork that better evokes the grim feeling of the current state of the world than Hungarian drama, Sátántangó?
Some people never grow up but in skateboarding documentary, ‘Minding the Gap’, no one ever stops growing.
Baz Poonpiriya's broken misfits in One for the Road are raw products of loneliness.
Using collage, clay animation, and 2D anime-style art with traditional archival footage and modern black-and-white interviews, Edgar Wright tries to capture the Sparks as a "Hollywood" band with an obsession for European visual art.
Scorsese's The Irishman is not a masculine power fantasy, nor could its heavy underlying sadness ever be mistaken for delight in violence or criminality.
Prisoners of the Ghostland, starring a whacked-out Nicholas Cage, is exciting, wild, bold, and joyfully ridiculous -- pretty much what you expect from a Sion Sono film.
Rebecca Hall's Passing has a distance to it affirms the film's message but it doesn't necessarily make for appealing cinema.
