Venice Film Festival in Focus: ‘Queer’, ‘Joker: Folie a Deux’, ‘2073’
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
The 81st edition of the preeminent Venice Film Festival sees heaps of madly ambitious, off-kilter releases by Jon Watts, Brady Corbet and Pedro Almodóvar.
For his teen horror film Cuckoo, director Tilman Singer tries to tame his wild and creative imagination into something more commercially friendly, with mixed results.
Rhino Man director John Jurko II was drawn to the storytelling and filmmaking process, but became deeply involved in global environmentalism and a profound friendship.
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
Our preview of Fantasia Festival 2024 highlights ten films that stimulate viewers’ emotional, cultural, and social intellect.
A dead body adds to the lively mix of family dysfunction and the pressure of making a good impression in Dan Robbins’ affable black comedy, Bad Shabbos.
Nicholas Ma’s humorous, warm and sensitive directorial feature debut, Mabel, embraces the messy uncertainty of life, for children and adults.
When the New Age travelers and the newly emerging ravers met in the English countryside, they had to fight for the right to party together for free. They still do.
Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.
The Jungian shadow looms over We Were Dangerous, a dramatic and rebellious drama about moral panic and juvenile and sexual delinquency in 1950s New Zealand.