Hell and Limbo Are Reimagined in Sci-Fi Horror ‘Desert Road’
The same lack of control and uncertainty that hounds Kafka’s Josef. K haunts the lost protagonist in Shannon Triplett’s sci-fi horror Desert Road.
The same lack of control and uncertainty that hounds Kafka’s Josef. K haunts the lost protagonist in Shannon Triplett’s sci-fi horror Desert Road.
Pablo Berger’s animated Robot Dreams is a near-perfect marvel of silent cinema nearly a century after talkies ended the silent era.
Michel Franco’s Memory explores the premise of entrapment in the context of trauma and dementia and, in its repression of truth, builds to a chilling moment.
India Donaldson’s directorial debut Good One leans into gender distinctions, but goes beyond them to offer incisive and observant critique of human nature.
Which is the greater horror, Small Things Like These asks; the women who suffered under Ireland’s abusive Magdalene Laundries or the citizens’ complicity?
Free of a conventional plot but firmly planted in the worldview of Saoirse Ronan’s Rona, The Outrun tells her story in a kaleidoscope of disjointed vignettes.
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
Lucy Lawless’ debut documentary about combat journalist and trailblazing camerawoman Margaret Moth, Never Look Away, reimagines the Myth of Icarus.
Frida Kahlo speaks from beyond her grave about the institutionalization of art and culture and the dangers posed by intellectuals warming their precious asses.
Skywalkers: A Love Story will endure because it’s not trapped in the moment of a daring acrobatic stunt; it’s rooted in the timeless human experience.
Savanah Leaf’s Earth Mama is part of an ongoing conversation about motherhood which must recognize systemic change and progress as incremental shifts.
William Oldroyd and Thomasin McKenzie discuss sympathising with a young woman caught between fantasy and reality in the adaptation of Ottessa Moshfegh’s Eileen.