Rock en Seine Sets the Bar High for Music Festivals
The 20th edition of France’s famed Rock en Seine sees ever-growing crowds, impressive performances, and an atmosphere to rival the highest of highs.
The 20th edition of France’s famed Rock en Seine sees ever-growing crowds, impressive performances, and an atmosphere to rival the highest of highs.
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
Michael Goldberg shot his first photo of the Doors’ Jim Morrison at the first US rock fest in 1967. Enjoy this photo essay spanning his career as a photographer and critic.
What should we understand as the connection between politics, people, and places? Can Latinx pop songs be trusted to represent us?
“I fit through a pinhole of success,” notes indie rock titan Tim Kasher on Cursive’s ninth full-length album. “I’m lucky as hell that I’m able to do this.”
The Beach Boys documentary appeals to Gen Z and Gen Alpha via Disney Plus with a breezy, linear, appreciation of the band’s sunny legacy.
The 81st edition of the preeminent Venice Film Festival sees heaps of madly ambitious, off-kilter releases by Jon Watts, Brady Corbet and Pedro Almodóvar.
This bio about Moby Grape’s Skip Spence dissects and casts a glowing light on his work as a composer of some of the most influential music of San Francisco’s psychedelic scene.
The Dare’s What’s Wrong With New York? is euphoric, massive, funny, blissfully unironic, and finally real male pop. I wouldn’t overthink it.
In August’s best metal, Mamaleek defy categorization, Teeth evolve their dissonant death metal, and Vomitrot bounce between death/doom and black metal.