Masculine Movie Icon Alan Ladd As the Wounded Outlaw Hero
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Francis Ford was an important silent film actor and director, and not just for being John Ford’s brother. Star Lillian Gish had the clout to get what she wanted.
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
These Spanish horror movies tapped into the anxieties of the final years of General Franco’s dictatorship while pretending to be merely tales set in foreign countries.
Filming with a handheld 16mm color camera, six filmmakers offer a cohesive snapshot of 1966 Paris and their obsessions with sex and death.
In Emilio Fernández’s Victims of Sin, a galaxy of important Mexican film and music artists collaborate on a tale of mambo music, martyred mothers, and melodrama.
Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.
Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.
The family is the source of neurosis, and any hint of an allegedly happy ending in these three film-noirs must happen over someone’s dead body.