Ambient Composer Rafael Anton Irisarri’s Dispersion of Belief
For a record conceived of following the 2016 US election and a global pandemic, ambient maestro Rafael Anton Irisarri is ready to soundtrack our downfall.
For a record conceived of following the 2016 US election and a global pandemic, ambient maestro Rafael Anton Irisarri is ready to soundtrack our downfall.
What should we understand as the connection between politics, people, and places? Can Latinx pop songs be trusted to represent us?
Masterfully layered and confidently executed, I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
Dissident Iranian rapper Toomaj Salehi – an heir to the legacies of Persian rap’s founders – carries a torch for Women, Life, Freedom as death looms.
Today’s discord and desperation over abortion in America has roots in Philip Dunne’s faded Blue Denim, one of the first Hollywood films to address the issue.
Hyper-masculinity, sexism, homophobia, offensive speech and distrust of institutions are some of the traits shared by rap culture and the American far right.
Rachel Maddow’s latest book on political history, Prequel: An American Fight Against Fascism, weaves varying players past into a singular danger present.
You can smell the cigarette ash and Johnnie Walker Black Label on the pages of A Hitch in Time, a gleefully pugilistic posthumous Christopher Hitchens anthology.
Blade Runner serves our vision of an inevitable dystopian future because we live in a “stuck future”, refusing to heed cyberpunk’s warning.
As with the Nazis and Goebbels and the Ku Klux Klan, the alt-right’s desire to co-opt pop music for their purposes requires ideological and ethical gymnastics.