The US Military’s Secret War on Comic Books
During wartime past, even war-themed comic books designed to help the US military’s reputation were the victims of friendly fire. Ominously, that has changed.
During wartime past, even war-themed comic books designed to help the US military’s reputation were the victims of friendly fire. Ominously, that has changed.
With his graphic memoir Advocate, Eddie Ahn invites readers to contemplate the complexities of pursuing social justice within a profit-driven world.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
Dave Chisholm uses creative methods for his graphic non-fiction novel about Miles Davis including gorgeous artwork to illustrate the jazz icon’s artistic quest.
Understanding the appeal of Doomsday Clock has nothing to do with it being a good or bad comics series. The real question is: does it matter?
With graphic novel Summer of Hamn, rap legend and now visual artist Chuck D has produced his second, strong, COVID-era work of art and social commentary.
Reading Vojtěch Mašek’s s diabolical and superb The Sisters Dietl is like consuming a many-layered pastry laced with something hallucinogenic.
Tintin is one of the secret engines of 20th Century pop culture in Europe and Hollywood, as shown in these James Bond-like movies for the elementary school crowd.
Chuck D’s style in his three-volume, Covid-era graphic novel STEWdio can be described as neo-expressionistic with images and text often intertwined like Jean-Michael Basquiat’s art.
The story that takes up most of The Flash’s running time is about something that never happened, and worse, the film skips over the hard part of multiversity storytelling.
Aquaman can be read as an allegory that responds to the climate change crisis, an era in which the oceans have become sites of warfare and mass death.
In our age of constant performance, Nick Drnaso’s work of graphic fiction, Acting Class, is not an escape, it’s hyperreality.