Wild Pink Achieve a More Authentic Sound on ‘Dulling the Horns’
On Dulling the Horns, Wild Pink deliver reverberating guitars and new instruments that complement their thought-provoking sentiments and introspection.
On Dulling the Horns, Wild Pink deliver reverberating guitars and new instruments that complement their thought-provoking sentiments and introspection.
Drug Church’s PRUDE takes its place alongside Gouge Away’s Deep Sage as a highlight of the year in hardcore that could reach outside the flock.
Even if Jane’s Addiction can’t reconcile their relationship, they owe it to themselves to finish what they started and see their new album to term.
Incubus ride high on tour supporting Morning View XXIII released in the spring, a re-recorded version of their 2001 classic that propelled them to stardom.
Detroit’s Clinic Stars draw you into their gauzy, poetic interior world and weave a cozy afghan of 1990s slowcore and dream pop on their debut LP, Only Hinting.
Skank’s Calango mixes Jamaican reggae, Latin percussion, keyboards, and guitars into a blend that sounds very much from Brazil and yet completely alien.
The Promise Ring’s Very Emergency succeeds by subverting expectations but delivering ten nuggets of power pop and a rebuke of the emerging emo tropes.
When Fake Fruit find a strong musical hook on Mucho Mistrust, their songs are a lot of fun. When they don’t, their sloppiness comes to the fore.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
Moon Mirror finds long-running power poppers Nada Surf relaxed and having fun with the same strong, catchy songs they’ve written for nearly 30 years.
Life is hard, and the world is a dangerous place. The The’s Matt Johnson has never shied away from these realities. He’s as pithy and perceptive as ever.
Enumclaw’s sophomore LP, Home in Another Life, again delivers 1990s alternative sounds but is confessional in nature and speaks to what ails us.