Will “True Love” Be the Last We Hear From Jane’s Addiction?
Even if Jane’s Addiction can’t reconcile their relationship, they owe it to themselves to finish what they started and see their new album to term.
Even if Jane’s Addiction can’t reconcile their relationship, they owe it to themselves to finish what they started and see their new album to term.
April was a glorious stew for lovers of this music, and you’ll want to make sure to check out our new playlist showcasing this month’s best ambient entries.
The third live album of the Who’s 1982 farewell tour improves little on the others. It’s hard to imagine that modern recording technology couldn’t have helped.
This month’s best ambient/experimental releases yielded enough sublime music to send you drifting into transcendence for many moons to come.
With its antiseptic sound, The Spectrum ’97 box set can’t adequately substitute for what it was like to be there at a 1990s Phish show.
Morphine saxophonist Dana Colley looks back at the alt-rock band’s career and discusses the newly expanded vinyl reissues for The Night and Like Swimming.
Stewart Copeland and the Hazelrigg Brothers remind us that the Police’s body of work is ripe for reinvention. But do they go far enough?
For better and worse, the latest installments in Magnetic Eye’s Soundgarden tribute series only underscore the iconic Seattle quartet’s range.
New albums by Extreme, Y&T and Filter show nothing falls out of fashion anymore. Hair metal is no longer a punchline but a cultural artifact to be appraised.
Longtime Jim Jarmusch collaborator Jozef Van Wissem turns his attention to another film soundtrack with Nosferatu, which redefines the lute.
Compared to earlier Wilco back-catalog reissues this beefed-up Yankee Hotel Foxtrot suffers somewhat from a case of “more isn’t always more”.
Megadeth skirt the contemporary issues they tease on The Sick, the Dying… and the Dead! But was this brand of metal ever designed to be this safe?