No More Apocalypse Father Plead We Are Winter’s Blue and Radiant Children
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
Once again, Arab Strap have done a grand job worthy of broad smiles, screens off, and the stereo turned all the way up. Get outside and hear the birds sing.
Melvins are masters of their craft, still able to make songs that stand with their finest work precisely because they’re never trying to recapture that past.
Experimentalist Erika Angell has a deep track record of producing intriguing music, but here, under her own name, it feels like she’s created her masterwork.
The Libertines’ All Quiet on the Eastern Esplanade is something of mixed bag, but it’s worth persisting with for its moments of beauty and always fun energy.
Punk rockers CNTS have created a tight album that brings the hothouse vibe of a crammed club: bare concrete walls, bodies slamming in from all angles, and crowd surfers.
After an unimpeachable run of Scandinavian black metal and folk albums across the 2010s, it’s not yet clear what Myrkur will be here in this decade.
Niecy Blues’ Exit Simulation is a breathtaking and immaculate creative statement, expanding R&B. It will lay down fire and love in innumerable hearts and minds.
On Venera’s self-titled debut, nu-metal royalty James ‘Munky’ Shaffer and renaissance man Chris Hunt make a compelling suite of industrial electronica.
Massimo Pupillo’s Our Forgotten Ancestors takes the Sámi peoples of the Arctic Circle as its theme and inspiration for an instrumental tour-de-force.
At the Stake: Complete Atlantic Recordings 1993-1996 gathers the three album run Melvins delivered during their short stint on a major label.
Public Image Ltd’s End of World, their first in eight years, marks some of John Lydon’s best work in decades and a half that should have never left band practice.