Fleetwood Mac’s ‘Mirage Tour ’82’ Features the Hits
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
The collaboration between ethereal pop trio Cocteau Twins and avant-gardist Harold Budd, The Moon and the Melodies, hits vinyl for the first time since 1986.
Life is hard, and the world is a dangerous place. The The’s Matt Johnson has never shied away from these realities. He’s as pithy and perceptive as ever.
The Mysterines’ new record is the aural equivalent of a spooky, creaky old house—at an amusement park. It gets the look and feel right, but it’s artifice.
The Church’s “companion piece” to The Hypnogogue is just as good. It didn’t take long for the veteran Aussie psych-rockers to break in their new lineup.
This gargantuan post-punk collection has legends like Joy Division and the Cure, but it’s the lesser-knowns who provide the many unexpected thrills.
Daniel‘s “brand-new old-fashioned” version of Real Estate is totally workable but is also a reminder that the old-fashioned stuff was better.
The Vaccines’ new LP is a proverbial back-to-basics affair that’s all the better for it. Packed with ten punchy hook-laden songs, it’s a great-sounding record.
What’s remarkable about We Can Work It Out is how it emphasizes the Beatles’ foundation-shaking effect on culture that occurred almost from the beginning.
Orchestral Manoeuvres in the Dark have honed their craft at creating towering, majestic synthscapes with bold analog melodies and shimmering sci-fi flourishes.
Chicago-based Slow Pulp offer more 1990s-inspired indie rock on their sophomore album. Have they taken a step forward and did they even need to?
When it comes to the late Mark Hollis’ seminal work, Modern Nature’s No Fixed Point in Space crosses the line between inspired tribute and pale imitation.