Xiu Xiu’s Latest Album Shows Off Their Irresistible Noise
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
With 2017’s Aromanticism, Moses Sumney negotiates the self as body and spirit and attempts to reconcile his emotions and sexuality with his religion.
Festival De Musique Émergente is about discovering new music. When you go exploring on one night, you’ll uncover at least one new favorite artist, guaranteed.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
Foxing swing for the fences, and most often, it’s positively thrilling, bending a wealth of influences into something stirring and uniquely powerful.
Nite Owls is JD McPherson’s most fully realized front-to-back example of his talent yet, and it points the way to an even more exciting follow-up.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
The release history of Elvis Costello’s Almost Blue provides a framework for examining how the delivery of recorded music can relate to our experience of it.
Even if Jane’s Addiction can’t reconcile their relationship, they owe it to themselves to finish what they started and see their new album to term.
Hinds don’t reserve their love for a significant other. They celebrate their love for friends, places, dreams, and activities that make our lives fulfilling.
Incubus ride high on tour supporting Morning View XXIII released in the spring, a re-recorded version of their 2001 classic that propelled them to stardom.
Two decades out from their wild debut, Xiu Xiu’s Jamie Stewart and Angela Seo reflect on their fans, band-free music videos, and uncompromising new LP.