Pop Duo Kit Sebastian Thrill on Thoughtful ‘New Internationale’
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Citron Citron’s Maréeternelle is accessible avant-garde pop still edging toward highbrow. It highlights the ultramodern sounds coming from Geneva’s underground.
Ayom’s Sa.Li.Va. is meant to be heard and felt to move a listener literally and figuratively. Complex in its makings, its joy is straightforward.
Nala Sinephro’s Endlessness is music that is good for the ear, the mind, the heart, and the very future of the philosophical orientations of jazz.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
El Khat’s music is unlike anyone else’s. It is a sparkling array of DIY tools that work toward vital social messages and spreading Yemeni Jewish tradition.
Throughout Ela Partíu, Laíz makes clear just how much more she is: strong, tender, and an outstanding new figure in globally-minded hip-hop.
From the first notes of her sophomore album La Mer, it’s clear that singer-songwriter Claude Fontaine is a chanteuse, and it’s not a role she takes lightly.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
It would be unfair to put Moira Smiley’s work in a single box, but it seems fitting to note how fully she embodies the core ideals of contemporary folk music.
Bamako is the truest kind of jazz, all about movement and communication, and Nicole Mitchell and Ballaké Sissoko make for an expert team at the helm.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.