Jukebox Gallery: A Michael Goldberg Rock Photo Essay
Michael Goldberg shot his first photo of the Doors’ Jim Morrison at the first US rock fest in 1967. Enjoy this photo essay spanning his career as a photographer and critic.
Michael Goldberg shot his first photo of the Doors’ Jim Morrison at the first US rock fest in 1967. Enjoy this photo essay spanning his career as a photographer and critic.
Japanese visual artist, Komitsu’s newest work “Five Years Old Memories” is a colorful interactive documentary. It reimagines old CD-ROM software for the digital era.
The COVID pandemic seemed to accelerate the spread of new viral media, but viruses mutate, pop culture replicates, and everything’s a cover song.
Photographer John Divola’s LAX NAZ series exterior and interior views ooze with useful, fun, and satiating dualism. However, dualism gets messy.
Yoko Ono: Music of the Mind at Tate Modern is an engaging overview of the polarizing artist’s career, but her career didn’t end post-John Lennon and Fluxus.
If there is any consolation to be had in Teju Cole’s slippery and sinuous Tremor, it’s not found in art or literature but in the music that permeates its pages.
As Bob Dylan learned, only through baring of one’s soul does one show the way forward, providing both a glimpse into the other and perhaps the shape of things to come.
As there is an art to memoir writing, there is an artfulness to describing the power of the visual arts. Patrick Bringley’s ‘All the Beauty in the World’ is exquisitely rendered.
Situating his study at sites of conflict and interviewing artists, scholar John Lennon’s Conflict Graffiti gives readers new perspectives for interpreting the graffiti and street art they encounter.
Video game designer Nicholas O’Brien creates and curates in a medium starving for critical conversation.
Patti Smith’s A Book of Days creates an ironic loop of parasocial relationshipping, generating a kind of intimacy through photographs of objects.
More than just corporate propaganda, the subversive artworks in Severance hold a strange place in Lumon Industries’ ideological fabric.