Fleetwood Mac’s ‘Mirage Tour ’82’ Features the Hits
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
Culled mostly from previously-released material, this triple-vinyl set catches Fleetwood Mac in the midst of their world-beating commercial phase.
The Promise Ring’s Very Emergency succeeds by subverting expectations but delivering ten nuggets of power pop and a rebuke of the emerging emo tropes.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Alex Izenberg & the Exiles sees the artist take another step in his evolution as a songwriter, and his supporting cast helps him reach that next crest.
Patti Smith’s “Hey Joe” and “Piss Factory” expresses her unremitting fight for freedom: when she went from a factory girl to a poète maudit.
Throughout his prolific career, Tom Petty challenged himself to keep things interesting and reinvent things. These are his 20 best songs.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
Conceived in a spirit of celebration, Kasabian’s eighth LP is a concise, stadium-friendly set of danceable, infectiousness pop-rock for life’s brighter moments.
LØLØ’s anything-goes approach to rock music and a strong sense of melody make her debut album a winner, even if the lyrical topics get a bit repetitive.
The Killers’ Hot Fuss is made for the hips and heart, not the brains. Their best tunes are eminently digestible, meant to have you vibrating from the first few bars.
Alec Benjamin writes anthologies, and his fourth album, 12 Notes, is no different. This style of writing suits Benjamin’s propensity for parables.
Manic Street Preachers’ oeuvre indicates that one can only keep preaching manically if one lets oneself be haunted by the past to show the cracks in capitalist realism.