Sabrina Carpenter’s Glittery Matrix on ‘Short n’ Sweet’
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Ice Spice’s Y2K! may have an obvious title, named for her birth year, but she wasn’t born yesterday. In 2024, stating a fact is the realest thing you can do.
By using a fleeting moment of attraction as its concept, Clairo’s ‘Charm’ surveys the damage love affairs, both long-lasting and short-lived, can inflict.
The strong hooks on The Secret of Us provide the missing third dimension to Gracie Abrams’ songs and create a winning formula that could sustain more albums.
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
Alec Benjamin writes anthologies, and his fourth album, 12 Notes, is no different. This style of writing suits Benjamin’s propensity for parables.
The incongruity of looks on the red carpet at this year’s Met Gala created a diverse showing of cartoonish creativity, the hallmark of fashion’s biggest night.
On Voulez Vous, ABBA went disco and created a turbo-charged version of their music. The raucous choruses of Voulez Vouz preview a decade of pop.
The Eagles’ On the Border (1974) signified the crossing of a musical boundary, as they progressed from country to rock, ensuring future mainstream success.
Throughout Eternal Sunshine, Ariana Grande investigates the concept of ignorant bliss, asking the question, is it better to remain unaware of great pain?
While the shift from folk to jazz-rock on Joni Mitchell’s Court and Spark may seem like commercial ambition, it was layered and signaled a profound change.