Kolumbo and the Quest to Tour Every Tiki Bar in America
As a kid in landlocked Texas, Frank LoCastro has wanted to make Exotica music. With Kolumbo’s sophomore LP, his dream of touring tiki bars is within reach.
As a kid in landlocked Texas, Frank LoCastro has wanted to make Exotica music. With Kolumbo’s sophomore LP, his dream of touring tiki bars is within reach.
Latin alternative artist Manu Chao sings for a better future on his first album in 17 years, Viva Tu. This music is meant to be lived with.
There are debates about technobrega’s origins, but tracking its history leads us to one artist and one song: “Lana” by Tonny Brasil.
Ayom’s Sa.Li.Va. is meant to be heard and felt to move a listener literally and figuratively. Complex in its makings, its joy is straightforward.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
El Khat’s music is unlike anyone else’s. It is a sparkling array of DIY tools that work toward vital social messages and spreading Yemeni Jewish tradition.
From the first notes of her sophomore album La Mer, it’s clear that singer-songwriter Claude Fontaine is a chanteuse, and it’s not a role she takes lightly.
Bamako is the truest kind of jazz, all about movement and communication, and Nicole Mitchell and Ballaké Sissoko make for an expert team at the helm.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
Okaidja Afroso’s Àbòr Édín delivers a genuinely seamless blend of different styles and unplugged sounds, with each track dense with color and meaning.
The Zawose Queens’ Maisha is a triumph, an endlessly satisfying assemblage of textures and timbres embodying a bold sonic spectrum of traditions.
Roots Funkadelia is a joy of a record with Remi Kabaka and company celebrating West African popular sounds and everything they’ve generated in the diaspora.