Whatever Happened to That Amazing British Punk Band Buzzcocks?
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
Drug Church’s PRUDE takes its place alongside Gouge Away’s Deep Sage as a highlight of the year in hardcore that could reach outside the flock.
Jawbox’s major label debut is their most beloved album, a perfect marriage of songwriting and production that sounds as thrilling today as it did 30 years ago.
Canadian hardcore legends Fucked Up channel 1970s riffage and wear a hard-won optimism well on Another Day. It’s among their best albums.
Ogbert the Nerd sound exuberant. There is a beating heart and pathos under the hooks, and they have much to offer listeners outside of emo’s ardent fans.
Canonical DC hardcore act Bad Brains remain as vital as ever. Almost 40 years after I Against I’s initial release, it’s remarkable how timeless it sounds.
Patti Smith’s “Hey Joe” and “Piss Factory” expresses her unremitting fight for freedom: when she went from a factory girl to a poète maudit.
For those who like their hardcore punk with hooks and intelligent, witty lyrics, Big Life deliver big time on two EPs. They are music lovers first and foremost.
In the early 1980s, Hüsker Dü paved the way for alternative rock, adding the power, anger, and pain of hardcore punk to a mix of 1960s and 1970s pop-rock styles.
Joyce Manor’s ‘Never Hungover Again’ still sounds urgent and endlessly replayable cranked up loud with the windows down, and it will stay that way.
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.
The Lovely Eggs’ latest LP retains their singular blend of psychedelic punk and introspective eccentricity while detailing everyday life’s beauty and pain.