Jamie xx Arrives Fashionably Late with ‘In Waves’
Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.
Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.
Norway’s Susanna aims to distill the world and bring it down to a set of uncomfortable truths on this album. Love will tear us apart again and again.
Canonical DC hardcore act Bad Brains remain as vital as ever. Almost 40 years after I Against I’s initial release, it’s remarkable how timeless it sounds.
Going on 40-plus years, Guided by Voices return with a tight and upbeat album full of pomp and swagger that ranks as a late-career best.
Colin Newman and Malka Spigel discuss their collaborative project Nanocluster and the importance of collaboration to maintain artistic independence.
After a quarter century, Lou Barlow and John Davis of the Folk Implosion return with an album that testifies to their enduring friendship.
MONO return with a post-rock album about faith and commitment, which serves as a fitting epitaph for their long-term artistic collaboration with Steve Albini.
DIIV’s Frog in Boiling Water aspires to be a statement album, reflecting our zeitgeist of right-wing extremism, global conflict, and environmental collapse.
Ghosted II is the intensely cerebral successor to 2022’s Ghosted, with Oren Ambarchi’s ensemble plumbing the depths of post-rock and avant-jazz.
Six Organs of Admittance’s Time Is Glass is ultimately about estrangement in this world with songs that inhabit the space between immanence and transcendence.
A track-by-track homage to their classic album Ragged Glory, Fu##in’ Up highlights Neil Young and Crazy Horse at their best – loose, loud, and long-lasting.
Following Robed in Rareness from last fall, Shabazz Palaces continues a provisional series with the cryptic and digressive Exotic Birds of Prey.