In August’s best metal, Mamaleek defy categorization, Teeth evolve their dissonant death metal, and Vomitrot bounce between death/doom and black metal.
In July’s best metal, Wormed’s futuristic brutal tech-death is sovereign, Void Witch offer death-doom wickedness, and Malconfort’s off-kilter black metal shines.
In June’s best metal, Crypt Sermon offer hooks in doom form, Insect Ark stay on the experimental path, and Ulcerate offer despair with technical death metal.
In May’s best metal, the Hope Conspiracy return to pure hardcore form, Unleash the Archers claim power metal fame and Primitive Warfare declare war against all.
In April’s best metal, Locrian fully establish their return, Benighted adorn their anguish in their darkened past, and Inter Arma lead in extreme metal.
In March’s best metal, Coffins and Slimelord define death/doom glory, Misotheist find beauty in raw black metal ugliness, and Prisoner attack the senses.
In best metal albums, Vemod elevate black metal to atmospheric heights, Beryllium innovate, and Dissimulator tap into a Voivod-ian vein with their death/thrash.
In best metal albums, Cruciamentum ignite the old-school death metal flame, Morne merge hardcore and post-metal, and Autarkh commit to industrial machinations.
The best metal albums feature Cirith Ungol with their heavy doom tank, Krieg back to black metal fundamentals, and much more that October has to offer.
September’s best metal albums are really all about death metal. Not only the volume, but the sheer quality of these works is nothing short of astounding.
The best metal albums feature Crypta’s return with thrash intentions, Blut Aus Nord’s Lovecraftian aspirations, and the end of Urfaust’s psychedelic run.
In July’s best metal, Oxbow resume their experimental journey, Mutoid Man hammer their love for fun heavy metal, and Mizmor descend to despair’s dark depths.
