Charlie Overbey Finds Himself ‘In Good Company’
It isn’t easy to get a bead on Charlie Overbey. He’s a rock and roll singer who veers from punk to country and claims they all merge at the root.
It isn’t easy to get a bead on Charlie Overbey. He’s a rock and roll singer who veers from punk to country and claims they all merge at the root.
Brooklyn Americana band Yarn’s new music on Born, Blessed, Grateful, & Alive reverberates with echoes of past classic rock and country from the 1970s and 1980s.
Katie Knipp’s idiosyncrasies distinguish her from the mass of female blues singers with good voices and mediocre or tried and true material.
AJ Lee & Blue Summit’s City of Glass consistently showcases the distinctive gifts of each performer and the magic that happens when they all play together.
Blues singer/guitarist Rory Block reaches back to her youth for inspiration in this tribute to Bob Dylan, choosing tunes that “touched her heart and soul”.
The Felice Brothers present us with a world where we can sing along with our imaginations and know we are all brothers and sisters on life’s journey.
Folk singer-songwriter Laurie Lewis reminds us to be kind to each other and appreciate the good things in life, like trees and the natural world—and John Prine.
Singer-songwriter Jack McKeon volunteers his newly gained knowledge and instructs listeners to talk to strangers as a way of being kind on his debut album.
On Here in the Pitch, indie folk’s Jessica Pratt offers an aural world where opposites are part of the whole. The best interpretation is to accept the mystery.
Every New Beginning offers a listening place where one’s heart can grow wings through the magic of singer-songwriter Kim Richey’s art.
Jesse Daniel’s Countin’ the Miles reminds of the country music once was without sounding cliched. The songs are like the B-sides of old 45s on diner jukeboxes.
In The Pollen & The Rot, folk singer-songwriter Curtis McMurtry casts spring as the season as when sex and longing overwhelm the senses and turn us into beasts.