Travis’ Tenth Studio Album ‘L.A. Times’ Lacks Consistency
L.A. Times finds Travis inspired but in need of direction on what could be a transitional album in their career. They do take more risks than in over a decade.
L.A. Times finds Travis inspired but in need of direction on what could be a transitional album in their career. They do take more risks than in over a decade.
Red Hot Chili Peppers made an LP on their own terms with Californication. They silenced the doubters and launched the second act of their extraordinary career.
Songs: Ohia’s Magnolia Electric Co. remains a dark triumph in the face of adversity. It was the turning point and apex of Jason Molina’s brief life and career.
On Eels Time!, Mark Oliver Everett offers up his many different temperaments and reminds us why he is cautiously optimistic despite the pervading melancholy.
Liverpool’s King Hannah reference indie rock contemporaries on Big Swimmer but advance their sound through unique soundscapes that stand on their own.
A Ghost Is Born was Wilco’s fearless attempt to surpass ‘Yankee Hotel Foxtrot’ and move beyond the narrative that could have defined the band.
Girl and Girl’s Call a Doctor nearly delivers as a concept yet still captivates with its jangle pop charm. They should be a band we follow for years to come.
Death Jokes finds Amen Dunes tackling big issues and exploring influences from his youth, but the connection with his listeners still creates deeper meaning.
Dehd exude a youthful charm that is hard to replicate on Poetry. They are infectious and their sunny melodies and sincerity make their music compelling.
On Glasgow Eyes, the Jesus and Mary Chain are comfortable settling in and stretching out a bit. They will never not be cool—just maybe not required listening.
Old 97’s American Primitive features some of their most vital work since their first decade as a group, but it’s front-loaded with the hits.