Tomas Hachard

Tomas Hachard is currently completing a Journalism MA in Cultural Reporting and Criticism at New York University. Though he writes mainly on film, he is also greatly interested in, and often writes about music, TV, and dance. He has written numerous pieces for The Toronto Standard and been published on The Millions and Steel Bananas. He, of course, also blogs. Follow him on Twitter

‘Miss Bala’ Explores the Mexican Drug War by Focusing on the Victims

‘Circumstance’ Shows Just How Desolate the View Can Be from the Ground

‘Life, Above All’ Confronts the South African AIDS Pandemic with Care and Honesty

Pull a Thread to Find a String and Get the Rope: ‘Kiss Me Deadly’

100 Essential Directors – Bernardo Bertolucci

‘The Makioka Sisters’: The Art of Balancing Personal Aspirations with Familial Obligations

‘The Boy in the Striped Pajamas’ Peers at the Holocaust Through a Child’s Eyes

Desitively Bonnaroo: Reporting from the Land of Dust and Music (Part 4)

Desitively Bonnaroo: Reporting from the Land of Dust and Music (Part 3)

Desitively Bonnaroo: Reporting from the Land of Dust and Music (Part 2)

Desitively Bonnaroo: Reporting from the Land of Dust and Music (Part 1)

Tense Encounters in Anton Chekhov’s ‘The Duel’