The Who Release an Anemic Mix of a 1982 Historic Show
The third live album of the Who’s 1982 farewell tour improves little on the others. It’s hard to imagine that modern recording technology couldn’t have helped.
The third live album of the Who’s 1982 farewell tour improves little on the others. It’s hard to imagine that modern recording technology couldn’t have helped.
A tale of UK Mod culture and failed dreams, Quadrophenia is easily the Who’s best album, and perhaps, it’s the best rock opera ever.
No popular musical instrument has been more frequently maligned than the accordion. Despite gaining hipster cred in the 1990s, its role in pop remains underappreciated.
Peter Stanfield’s ‘A Band With Built-In Hate’ highlights redundancy, aggression, obsolescence, and ambiguity in Townshend’s lyrical stance and the Who’s performing methods.
Step back 10 years when we presented our 20 best re-issues of 2009, highlighted by the long overdue remastering of the Beatles oeuvre, a number of '80s and '90s classics, and one of the most storied catalogues in electronic music.
Here's 10 albums that never happened but are still discussed among fans and often recreated in some shape or form by the original artists, inspired musicians, or just hungry fans.
Ever get the feeling that the struggle to get by makes it impossible to have the energy or the time to storm the barricades? That's what American capitalism has achieved in 2018: maximum depression. And that's why Cochran's 1958 song of angst plays on to this day.
With a strange history and an unusual assortment of tracks, Who guitarist Pete Townshend's first solo album still offers plenty of joy.
This 1968 concert from the Who vaults reveals both a devastating live show and a revealing bit of history.