Coppola’s ‘Megalopolis’ Is a Trivial Goof Pretending at Ambition
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Premee Mohamed’s We Speak Through the Mountain is a school story set in a future that looks startlingly close to our times, sentient fungal infections notwithstanding.
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.
Set in the politically significant year of 2046, sci-fi game 1000xResist evokes Michel van der Aa’s operatic music and Hou Hsiao-hsien’s heterotopia-like films.
World of Giants is catnip and dog-nip and gopher-nip for connoisseurs of classic sci-fi TV ’50s style, aka, the art of really short half-hour storytelling.
Rewatching the memory puzzle film Eternal Sunshine of the Spotless Mind, we are captivated by its sophisticated and complete depictions of memory.
Like its vast ocean setting, Jules Verne’s 20,000 Leagues Under the Sea goes deeper into pop culture – its tentacles reaching farther than its creature’s – than you may realize.
The same lack of control and uncertainty that hounds Kafka’s Josef. K haunts the lost protagonist in Shannon Triplett’s sci-fi horror Desert Road.
These three TV shows of early spring 2024 are the most compelling, mind-boggling, and expensive-looking ones to watch before you go back out in the sun.
From comedies to horror, biographies to romance, there’s a reason why Hollywood filmmakers turn to poetry when dialogue fails.