Ruination Record Co.

Adeline Hotel’s ‘Whodunnit’ Beautifully Reflects on Breaking Up

Adeline Hotel’s ‘Whodunnit’ Beautifully Reflects on Breaking Up

Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.

Sima Cunningham Soars and Soothes on the Brilliant ‘High Roller’

Sima Cunningham Soars and Soothes on the Brilliant ‘High Roller’

The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.

The Bird Calls’ ‘Old Faithful’ Is a Deeply Felt Folk Gem

The Bird Calls’ ‘Old Faithful’ Is a Deeply Felt Folk Gem

Under the name the Bird Calls, Sam Sodomsky infuses his songs with warmth, gravitas, and the musical wisdom of a well-traveled music fan.

Jackie West Dazzles on the Stunning ‘Close to the Mystery’

Jackie West Dazzles on the Stunning ‘Close to the Mystery’

Brooklyn-based singer-songwriter Jackie West effortlessly transcends genres and generations on her outstanding debut album, Close to the Mystery.

Minor Moon Brings a Hopeful Twang to the Apocalypse

Minor Moon Brings a Hopeful Twang to the Apocalypse

Minor Moon’s LP is deeply adventurous but has a sharp, reflective eye on the rearview mirror. It’s a warm fuzz of country rock amidst a world falling apart.

‘Fire Escape’ Is Alena Spanger’s Thorny, Soaring Solo Debut

‘Fire Escape’ Is Alena Spanger’s Thorny, Soaring Solo Debut

Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.

Hannah Frances Unveils Mystic, Lush Folk on ‘Keeper of the Shepherd’

Hannah Frances Unveils Mystic, Lush Folk on ‘Keeper of the Shepherd’

Hannah Frances’ hypnotic new album Keeper of the Shepherd is a master class in sophisticated songwriting and pastoral scene-setting.

Ian Wayne Combines Gorgeous Melodies with Experimental Touches on ‘I Can’t Sleep’

Ian Wayne Combines Gorgeous Melodies with Experimental Touches on ‘I Can’t Sleep’

The third solo album, I Can’t Sleep, from Ian Wayne is a low-key masterpiece that embraces classic pop with plenty of odd, disarming musical gestures.

Edith Judith Perform a Beguiling Style of Indie-Folk on ‘Bones & Structure’

Edith Judith Perform a Beguiling Style of Indie-Folk on ‘Bones & Structure’

Chicago experimentalists Edith Judith combine unique arrangements and beautifully crafted songs on their debut album, Bones & Structure.

Scree’s ‘Slow Bloom’ Is a Brief, Delightful Gem of an EP

Scree’s ‘Slow Bloom’ Is a Brief, Delightful Gem of an EP

The latest release from the Brooklyn-based jazz trio Scree, Slow Bloom, is a ruminative exercise in low-key jazz dynamics.

Adeline Hotel’s ‘The Cherries Are Speaking’ Is a Quiet, Ambitious Baroque-Pop Gem

Adeline Hotel’s ‘The Cherries Are Speaking’ Is a Quiet, Ambitious Baroque-Pop Gem

The Cherries Are Speaking, the sixth album from Dan Knishkowy’s unique indie-rock project Adeline Hotel is an indescribably beautiful, elegant effort.

Carmen Q. Rothwell Turns Catharsis Into Unique Art on ‘Don’t Get Comfy / Nowhere

Carmen Q. Rothwell Turns Catharsis Into Unique Art on ‘Don’t Get Comfy / Nowhere

The first solo album from experimental upright bassist and vocalist Carmen Q. Rothwell uses heartbreak and loss as emotional touchstones.