Adeline Hotel’s ‘Whodunnit’ Beautifully Reflects on Breaking Up
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
Under the name the Bird Calls, Sam Sodomsky infuses his songs with warmth, gravitas, and the musical wisdom of a well-traveled music fan.
Brooklyn-based singer-songwriter Jackie West effortlessly transcends genres and generations on her outstanding debut album, Close to the Mystery.
Minor Moon’s LP is deeply adventurous but has a sharp, reflective eye on the rearview mirror. It’s a warm fuzz of country rock amidst a world falling apart.
Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.
Hannah Frances’ hypnotic new album Keeper of the Shepherd is a master class in sophisticated songwriting and pastoral scene-setting.
The third solo album, I Can’t Sleep, from Ian Wayne is a low-key masterpiece that embraces classic pop with plenty of odd, disarming musical gestures.
Chicago experimentalists Edith Judith combine unique arrangements and beautifully crafted songs on their debut album, Bones & Structure.
The latest release from the Brooklyn-based jazz trio Scree, Slow Bloom, is a ruminative exercise in low-key jazz dynamics.
The Cherries Are Speaking, the sixth album from Dan Knishkowy’s unique indie-rock project Adeline Hotel is an indescribably beautiful, elegant effort.
The first solo album from experimental upright bassist and vocalist Carmen Q. Rothwell uses heartbreak and loss as emotional touchstones.