Pop Duo Kit Sebastian Thrill on Thoughtful ‘New Internationale’
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Los Bitchos’ Talkie Talkie builds an immersive experience with a larger narrative. They challenge the conventions of rock through sound and representation.
Despite society’s antagonism toward introverts, Tame Impala’s Kevin Parker steadfastly offers himself as a vulnerable, somewhat blushing symbol of the gifted loner.
The songs on the Fiery Furnaces’ Widow City are like a multiverse 45; they’ll never be hits on this Earth but might sell millions in a world slightly tweaked.
In 1989, XTC released Oranges & Lemons, one of their finest. There are nods to trippy 1960s touchstones, but it’s more of a lush, power-pop celebration.
Deerhunter’s Weird Era Cont., the companion to Microcastle, lives in its shadow and yet eclipses it with a bizarre brilliance all its own.
As a Tim DeLaughter solo album featuring guest musicians from the Polyphonic Spree, this would be an easier sell. As a full-band LP, it feels undercooked.
Miracle Sweepstakes’ Last Licks is full of sweet psychedelic pop. The guitar effects and whimsical orchestrations throughout are reminiscent of the late 1960s.
Vanishing Twin’s Afternoon X is a worthwhile musical journey through a wealth of different ambient, psychedelic, and groove-based sounds.
No British album better synthesized the warmth, energy, and funkiness of New Orleans R&B, Southern soul, and rock better than Traffic’s 1968 self-titled LP.
Reset in Dub marks another attempt by Panda Bear and Sonic Boom to arrive at a new alchemy between past and present musical traditions.
With Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey implores us not to forget her and has ensured that we can’t possibly.