The The’s ‘Ensoulment’ Is Pithy and Perceptive
Life is hard, and the world is a dangerous place. The The’s Matt Johnson has never shied away from these realities. He’s as pithy and perceptive as ever.
Life is hard, and the world is a dangerous place. The The’s Matt Johnson has never shied away from these realities. He’s as pithy and perceptive as ever.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.
Pom Poko have figured out how to combine complex math rock with big pop hooks, but their willingness to stretch beyond these styles makes Champion intriguing.
In the post-punk era, progressive rock figurehead Robert Fripp and synth pop pioneer Gary Numan would shape the future sound of alternative rock and metal.
Colin Newman and Malka Spigel discuss their collaborative project Nanocluster and the importance of collaboration to maintain artistic independence.
A unique-sounding album, Unknown Pleasures retains the dark mystery of Ian Curtis and Joy Division while anticipating future moods and genres.
A Certain Ratio find inspiration in their past work and the music that initially inspired them to create art that exists quite nicely in 2024.
Robyn Hitchcock’s memoir 1967 taps into the music high that untethered the restraints of boarding school and shaped his life and music for eternity.
Mount Kimbie stir their influences into The Sunset Violent so well that it’s distinctly a record of theirs and an enjoyable one at that.
Antwerp Belgium’s Disorientations completely revamp their “Chameleons/Echo and the Bunnymen” post-punk sound on this impressive sophomore effort.
Les Savy Fav’s OUI, LSF is an energetic blast of post-punk that makes many of the newer bands in that scene sound pale in comparison.