Whatever Happened to That Amazing British Punk Band Buzzcocks?
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
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The Journey Motif in ‘The Half-Life of Guilt’ Is No Guilt Trip
There is no guilty pleasure in reading Lynn Stegner’s The Half-Life of Guilt. There is only pleasure.
The Complicated Life of Moby Grape’s Skip Spence
This bio about Moby Grape’s Skip Spence dissects and casts a glowing light on his work as a composer of some of the most influential music of San Francisco’s psychedelic scene.
Walter Salles’ I’m Still Here Is an Homage to Fearless Women
Masterfully layered and confidently executed, I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
Naomi Novik’s Fantastical Feminist Worlds
Award-winning speculative fiction writer Naomi Novik’s short stories are collected in Buried Deep, revealing the range of her fantastical feminist worlds.
Animated Sci-Fi ‘The Time Masters’ Challenges Conformity
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
Unlike Her Music ‘I Am: Céline Dion’ Is Not a Mournful Drama
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Thriller ‘The White Rabbit’ Ensnares Viewers in Hitchcockian Fashion
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
Lindsey Drager’s ‘The Avian Hourglass’ Is Wonderfully Weird
While navigating many odd circumstances, Lindsey Drager’s The Avian Hourglass provides a continuous stream of consciousness; scientific, literary, and philosophical.
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The Art of Psychological Warfare
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
‘The Underground Railroad’ and Cinema’s Origins in White Supremacy
In adapting the alternative history The Underground Railroad, Barry Jenkins and his crew made cinema – a medium with origins in white supremacy – work for them.
Kathleen Hanna, Riot Grrrl, and Punk
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.