Lil Nas X’s “Satan Shoes” and Our Queer Satan
Lil Nas X’s “Satan Shoes” takes on the Devil and righteously subverts anti-LGBTQ rhetoric.
Lil Nas X’s “Satan Shoes” takes on the Devil and righteously subverts anti-LGBTQ rhetoric.
Moira Smiley and VOCO's "The Call" urges to stay strong in our shared humanity against the screaming voices of division. It's a plea for oneness as the US exercises its essential identity as a democracy on 3 November.
San Diego's Kimm Rogers taps into frustration with truth-masking on "Lie". "What I found most frustrating was that no one would utter the word 'lie'."
Los Angeles' Swerve share their new single "Escape", which marries 1970s-inspired aesthetics with contemporary sensibilities.
Country singer-songwriter Rachel Brooke reflects on life in a small town where winters are long and comforts can be few in "The Lovells Stockade Blues".
Americana musician Elliott Park's second family-friendly collection brings his daughters along for the ride.
The Lone Bellow's live performance was a pleasurable distraction in the middle of a pandemic. But I had forgotten how to attend a ticketed concert.
Thornato and Paulina Sotomayor celebrate independent women on their new tropical dance single, "La Niña Grande".
California singer-songwriter Rick Shea, whose credits include stints with Dave Alvin and Chris Gaffney delivers a dispatch on life of this most trying of years, 2020.
Drawing on inspiration from Gillian Welch, Ryan Martin delivers a song that taps into classic country-rock of the early 1970s. "You can certainly dance to it," he says.
Guitarist Jason Sissoyev speaks about Coastlands' emotionally-charged new LP, a meditation that is heavy in more ways that one. "It pummels you, then there's this release and then it keeps going," he says.
David Poe's "Gun for a Mouth" works in a fine tradition of smart, hook-driven American songwriting that lands between Matthew Sweet and Kevin Gilbert.