Dougie Poole Drops the Bit on ‘The Rainbow Wheel of Death’
Dougie Poole’s The Rainbow Wheel of Death has the genuine pathos of country’s best songs, with characters searching for love and longing for redemption in bars and dusty halls.
Dougie Poole’s The Rainbow Wheel of Death has the genuine pathos of country’s best songs, with characters searching for love and longing for redemption in bars and dusty halls.
Liz Stokes of New Zealand power-poppers the Beths discusses how to challenge herself creatively while keeping the lights on, and leading to a glorious new record.
Three decades into their career, indie-rock lifers Superchunk are still producing some of their most inspired work on Wild Loneliness.
One of America’s best rock bands, the War on Drugs aim for the cheap seats on their excellent new album, I Don’t Live Here Anymore.
Parquet Courts branch out into dance-rock and Madchester textures inspired by the rave’s communal, ecstatic atmosphere on their latest Sympathy for Life.
Trace Mountains’ latest LP is a reconsideration of Americana. Dave Benton is uncertain, defeated, earnest, ironic, heartbroken, and inspiring all at once.
Indie rock veterans Teenage Fanclub continue inspiring into their fourth decade with their latest album, Endless Arcade.
Greta Van Fleet seem to lack even a passing familiarity with the last four decades of recorded music on The Battle at Garden’s Gate.
Legendary Scottish indie-poppers Teenage Fanclub discuss their new LP Endless Arcade and why they look forward to their future as a band.
Like the title implies, it's hard to see the Hold Steady's latest album as something more than just another shrewd career move.
Shame's Drunk Tank Pink emphasizes something that's become even rarer than a rock star: a legitimately exciting band.
On Sundowner, Kevin Morby sings of valleys, broken stars, pale nights, and the midwestern American sun. Most of the time, he's alone with his guitar and a haunting mellotron.