Phish Inspire Instrumentally, Falter Lyrically on ‘Evolve’
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
The Decemberists’ As It Ever Was, So It Will Be indulges the right indulgences (mostly) but makes space for the group to speak with tenderness and gravitas.
While Lake Street Dive trot out their funk and soul instrumentation on Good Together, the record has few genuinely fun or moving moments.
Michael Hann’s oral history The Gospel of the Hold Steady traces the band’s image, music, and challenges in a brilliant chronicle of the promise of rock ‘n’ roll.
Despite claiming that QAnon believers will never see reason, Operation Mindfuck tries, in Hunter S. Thompson fashion, to explain why they’re wrong.
Girlfriend on Mars equips itself nicely on the climate change front, but subsuming that narrative and the tensions within it into the love story redirects the novel’s orbit.
We dive into ‘Ted Lasso’ to see where the beloved AFC Richmond gaffer won and lost. Episodes were judged by their cohesion, heart, humor, and message.
On their first full-length duo album since 2015, the Milk Carton Kids bring their folk sound to new heights with I Only See the Moon.
Indie rockers The National use every tool in their toolbox, from devastating lyrics to a Taylor Swift feature, to create a cohesive and expressive ninth LP.
Waxahatchee’s Katie Crutchfield teams up with folk singer-songwriter Jess Williamson as the duo Plains, with the debut LP I Walked With You a Ways.
Bob Weir and the Wolf Bros. are a new framework for interpreting the Grateful Dead that’s more interested in the true essence of the music.
Indigo Sparke’s Hysteria is an immersive, blurry mood piece of alternative songwriting that captures the confusing and fluctuating feelings inside of her.