Otis Shanty Make Jangle Pop Magic ‘Up on the Hill’
With Up on the Hill, Otis Shanty have taken the guitar-based, dream pop template and reinvented it beautifully for a new era.
With Up on the Hill, Otis Shanty have taken the guitar-based, dream pop template and reinvented it beautifully for a new era.
Girl and Girl’s Call a Doctor nearly delivers as a concept yet still captivates with its jangle pop charm. They should be a band we follow for years to come.
Robyn Hitchcock’s memoir 1967 taps into the music high that untethered the restraints of boarding school and shaped his life and music for eternity.
Dehd exude a youthful charm that is hard to replicate on Poetry. They are infectious and their sunny melodies and sincerity make their music compelling.
The Lemon Twigs’ A Dream Is All We Know displays scholarly mastery of the complex techniques their forbears invented. The sheer musicality is prodigious.
Daniel‘s “brand-new old-fashioned” version of Real Estate is totally workable but is also a reminder that the old-fashioned stuff was better.
Ducks Ltd. aren’t pessimists as much as realists. Harm’s Way serves as evidence of the power of music to redeem and bring us together.
Albums like Radiohead’s OK Computer signaled a change in the world of alternative rock. R.E.M. rose to the challenge to evolve or die with Up.
The simple joys of writing songs and sharing them remain the driving forces for indie pop veterans Teenage Fanclub. Norman Blake and Raymond McGinley discuss.
The Smiths changed the face of rock music and inspired a cult of fandom nearly unmatched since Beatlemania. These are their 13 best songs.
Matt Messore’s latest release covers well-trod territory. But Cathedral Bells’ target dream-pop demographic will devour Everything at Once with relish.
With its soaring harmonies, chiming guitars, and generally sunny motif, one has to be dead or in jail not to get a rush out of jangle pop.