Adeline Hotel’s ‘Whodunnit’ Beautifully Reflects on Breaking Up
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.
What if they had a folk festival and nobody protested? Evanston, Illinois hosted its first folk festival without politics from its stages.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
Singer-songwriter Mark Ambor prefers the sunlight over the moon, literally and metaphorically. Living for today doesn’t have to mean forgetting the past.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Andrew Combs’ new album serves as the robin in spring, a sign that seasons have changed. It’s not a chronicle of happiness as much as a statement of normalcy.
Ben Seretan’s new LP is loud and cathartic, filled with psychedelic noise, gospel-tinged refrains, unhinged guitar mania, and a live-in-the-studio sound.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
Gabriel Birnbaum takes many aspects of rock, folk, and indie music that everyone is familiar with and subtly rearranges them in ways we never thought possible.
Rising Appalachia’s harmonies on “I Need a Forest Fire” are downright mesmerizing, as they deliver a zeitgeisty performance for one of 2024’s top tracks.
The Decemberists’ As It Ever Was, So It Will Be indulges the right indulgences (mostly) but makes space for the group to speak with tenderness and gravitas.
Stranger Things‘ Maya Hawke admits on Chaos Angel she “was born with my foot in the door” and delivers one of the best LPs in the history of singing Hollywooders.