From Melville to Metal: The Conceptual Depths of Mastodon’s ‘Leviathan’
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
In August’s best metal, Mamaleek defy categorization, Teeth evolve their dissonant death metal, and Vomitrot bounce between death/doom and black metal.
Canonical DC hardcore act Bad Brains remain as vital as ever. Almost 40 years after I Against I’s initial release, it’s remarkable how timeless it sounds.
Yes, Metallica were singing about death—the cartoon skulls and swords I doodled in my notebooks rendered sonically. But they were also singing about life.
In July’s best metal, Wormed’s futuristic brutal tech-death is sovereign, Void Witch offer death-doom wickedness, and Malconfort’s off-kilter black metal shines.
In June’s best metal, Crypt Sermon offer hooks in doom form, Insect Ark stay on the experimental path, and Ulcerate offer despair with technical death metal.
Experimental metal trio SUMAC return with four tracks, a gargantuan runtime, and an experience that feels both frightening and healing on The Healer.
With their Les Chants De L’Aurore, the legendary French metal outfit Alcest weave together light and darkness in a characteristically compelling fashion.
Unplanned and unprepared, when Alice in Chains recorded Jar of Flies‘ catchy songs on the fly, they created some of their career’s darkest yet warmest music of their career.
Tool’s Berlin performance drenched us in their esoteric lyrics, kept us spellbound under Keenan’s shamanistic delivery, and held us captive to enormous body horror imagery.
In May’s best metal, the Hope Conspiracy return to pure hardcore form, Unleash the Archers claim power metal fame and Primitive Warfare declare war against all.
Orgy of the Damned finds Slash and his many guests bashing through the most over-played blues standards with the subtlety and grace of Axl Rose in a china shop.