‘Six in Paris’ Cuts the City into New Wave Slices of Sex and Death
Filming with a handheld 16mm color camera, six filmmakers offer a cohesive snapshot of 1966 Paris and their obsessions with sex and death.
french new wave
‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking
These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.
Storm de Hirsch’s Utterly Unclassifiable Feature Film ‘Goodbye in the Mirror’
Thematically and stylistically, Storm de Hirsch’s Goodbye in the Mirror is a bizarre amalgam of films by Varda, Cassavetes, Akerman, Wishman, and a dozen other directors working across mainstream, independent, and avant-garde contexts.
Shunned French Crime Film ‘A Woman Kills’ Slips Out of the Shadowy Margins
French New Wave director Jean-Denis Bonan is among the cursed and damned filmmakers – revered by a few, reviled by most. His formerly shunned A Woman Kills (1968) slips out of the shadowy margins and appears for modern viewers.
Two Important, Stylish, French New Wave Films from Jacques Doniol-Valcroze
Jacques Doniol-Valcroze’s New Wave film A Game for Six Lovers is drenched in High Culture, while La Dénonciation is high Sixties style and gripping all the way.
The One Life of Two Women in Jacques Rivette’s ‘Céline and Julie Go Boating’
Céline and Julie Go Boating transcends its mystic device of hijacked cinéma verité to present an authentic idea of truth in the contrived world of celluloid.
The Conception of Morality in Éric Rohmer’s ‘Six Moral Tales’
Éric Rohmer isn’t interested in a pure critique of misogyny; his moral tales are mere observations on how we use other people to serve our interests.
A Private Revolution: Jean-Luc Godard’s Second Wave
Jean-Luc Godard's cinematic oddities First Name: Carmen, Détective, and Hélas pour moi, newly released on Blu-ray from Kino Lorber, embody the vast landscape of possibilities open to the director during the '80s and '90s.
How Is It That Agnès Varda Is So Well Known — Yet So Unknown?
Our pop culture landscape is controlled by capitalistic saturation and a deeply-entrenched machismo ethic. It might not be powerful enough to erase Agnès Varda's genius, but it is shameless enough to eliminate her from the common discourse.
Rivette’s ‘Paris nous appartient’ Nods to McCarthyism, Communist Witch Hunts, and Cold War Paranoia in the USA
Jacques Rivette's first French New Wave film, Paris nous appartient, is infused with the look and feel of Hollywood's more paranoid, conspiratorial and apocalyptic films noir.
‘Agnès Varda between Film, Photography and Art’
When we objectify Agnès Varda as a "harmless granny" in pop culture, we lose perspective of her important work. DeRoo's book works toward rectifying this.
A Feminist Adventure Unfolds When ‘Celine and Julie Go Boating’
Jacques Rivette's film features two female characters who exhibit feminine strength and solidarity in a masculine world.