Coppola’s ‘Megalopolis’ Is a Trivial Goof Pretending at Ambition
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
film review
Murder and Apocalypse in Pop Art 1960s Mash-up ‘Fata Morgana’
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Arch Oboler’s ‘Bwana Devil’ Mauls the First 3D Movie Audience
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Quirky Comedy ‘Between the Temples’ Delights in the Unconventional Types
Nathan Silver’s 1970s-styled throwback Between the Temples is a comedy of people awkwardly fumbling toward purpose, faith, and meaning.
Teen Horror Film ‘Cuckoo’ Is a Deliriously Fun Mess
For his teen horror film Cuckoo, director Tilman Singer tries to tame his wild and creative imagination into something more commercially friendly, with mixed results.
The Family-Friendly ‘Bookworm’ Is a Reunion – with a Twist
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.
Animated Sci-Fi ‘The Time Masters’ Challenges Conformity
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
A Bittersweet Tale of Childhood Innocence, ‘Misunderstood’ Charms
Initially dismissed as a film for children, Misunderstood reveals some mature ideas about childhood and family and would sit better with adult audiences.
Unlike Her Music ‘I Am: Céline Dion’ Is Not a Mournful Drama
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Mexico’s Golden Age of Cinematic Melodrama: ‘Victims of Sin’
In Emilio Fernández’s Victims of Sin, a galaxy of important Mexican film and music artists collaborate on a tale of mambo music, martyred mothers, and melodrama.
‘Bad Shabbos’ Revels in Its Black Comedic Soul
A dead body adds to the lively mix of family dysfunction and the pressure of making a good impression in Dan Robbins’ affable black comedy, Bad Shabbos.
Familial Neurosis in ‘Never Open That Door’ Film-Noirs
The family is the source of neurosis, and any hint of an allegedly happy ending in these three film-noirs must happen over someone’s dead body.