Masculine Movie Icon Alan Ladd As the Wounded Outlaw Hero
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
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Johnny Cash in Psycho-Heist Thriller ‘Door-to-Door Maniac’
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
Venice Film Festival in Focus: ‘Queer’, ‘Joker: Folie a Deux’, ‘2073’
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
‘The Beach Boys’ Documentary Brings the Sun and Surf to the New Kids
The Beach Boys documentary appeals to Gen Z and Gen Alpha via Disney Plus with a breezy, linear, appreciation of the band’s sunny legacy.
Silent Film Restorations ‘The Craving’ and ‘Annie Laurie’ Radiate the Medium
Francis Ford was an important silent film actor and director, and not just for being John Ford’s brother. Star Lillian Gish had the clout to get what she wanted.
A Mind-Opening Preview of Fantasia Film Festival 2024
Our preview of Fantasia Festival 2024 highlights ten films that stimulate viewers’ emotional, cultural, and social intellect.
Godzilla the Union Buster
There’s a bitter irony in how Oscar-winning Godzilla Minus One, produced by a notorious union-busting production company, is celebrated for its message of collective strength.
Retro Monsters and Sexual Politics Dominate These Three Sci-Fi Movies
Sci-fi movies Unknown Terror, The Colossus of New York and Destination Inner Space inject monsters into personal melodrama for masculine redemption.
Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films
Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.
Exiting the Comma: On Liminality and Redemption in Wim Wenders’ Paris, Texas
In Wim Wenders’ Paris, Texas, Travis is adrift, caught in the comma between the liminal ‘Paris’ and the redemptive ‘Texas’, between lost futures and the impermeable present.
Chicago Critics Film Festival 2024: The Good, the Unremarkable, and the Dead on Arrival
Axe murder, motor scooter theft, projectile breast milk and more from a week at the Music Box Theatre for the Chicago Critics Film Festival 2024.
Is ‘Love Lies Bleeding’ An Act of Surrender?
After her psychological-horror debut Saint Maud, cinema took Rose Glass’ bright new voice in genre filmmaking and, with Love Lies Bleeding, clipped her wings.