Alex Izenberg Makes a Grand Statement with His Exiles
Alex Izenberg & the Exiles sees the artist take another step in his evolution as a songwriter, and his supporting cast helps him reach that next crest.
Alex Izenberg & the Exiles sees the artist take another step in his evolution as a songwriter, and his supporting cast helps him reach that next crest.
Lives Outgrown seems like an outgrowth of where Beth Gibbons’ mind and talents have taken her in the past decade, which is to ruminate on how life is a vapor.
Daniel‘s “brand-new old-fashioned” version of Real Estate is totally workable but is also a reminder that the old-fashioned stuff was better.
Reset in Dub marks another attempt by Panda Bear and Sonic Boom to arrive at a new alchemy between past and present musical traditions.
In Formal Growth in the Desert, Protomartyr have subtly evolved their sound into something not as claustrophobically volatile as previous efforts.
John Cale enlists Weyes Blood, Sylvan Esso, and Animal Collective to create a dark, unsettling new LP, MERCY, combining darkness with beauty on a knife edge.
Sorry’s Anywhere But Here pokes at rock and pop conventions without being a full-on piss-take on rock music. It’s more rewarding the more it’s listened to.
The not-to-be-missed fourth album by EDM artist James Hinton aka the Range is simultaneously his most retro sounding and forward-looking. Mercury is engrossing.
Wet Leg’s winning self-titled debut, with its constant hookups and insights into young adulthood, is an oasis in a sea of self-serious post-punk.
Franz Ferdinand’s potential is repeatedly hinted at rather than fully realized on Hits to the Head. But it’s better to show potential than to have none at all.
Time Skiffs finds Animal Collective in a calm, contemplative state yet places them closer in style to most indie rock bands.
Electronic music’s Jon Hopkins takes a deep dive and goes straight for the heart on Music for Psychedelic Therapy. The question is, will you go?