Vanessa Williams Returns with the Excellent ‘Survivor’ After a Lengthy Break
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Parisian dance duo Justice’s first album in eight years might not bottle the same lightning as their debut, but it’s still got enough charge for a wild night out.
Cyndi Lauper’s debut, She’s So Unusual, stands the test of time: it’s an eccentric, weird record that revels in a subversive and quietly revolutionary oddness.
STS9, Maddy O’Neal and the Crystal Method team up for a two-night desert dance party at Sin City’s most mystical new venue, Area 51.
Jayda G’s Guy is an admirable and occasionally affecting project that balances both personal vulnerabilities with uplifting and life-affirming music.
Sylvester’s voice – an otherworldly sonic boom of a voice that climbed to dizzying heights – was a significant force in queer pop culture in the 1970s.
Possibly the only DJ on earth to get the blessing of the Jerry Garcia estate, LP Giobbi’s first solo record charts a new course for contemporary dance music.
We’re looking at Janet Jackson’s fabulous discography to celebrate her birthday. Most of these songs are pop classics and define ’80s/’90s pop and dance radio.
These are the most significant Madonna songs that traverse the vast terrain of subjects, styles, and themes she has gravitated towards across her long career.
Free of major-label constraints, Tove Lo turns her dark sex-positive pop into something wiser and mature. Yet fans need not worry as Dirt Femme‘s BPM still kicks.
In Dawn FM, the Weeknd carries the weight of party hauntology, which explores how our cultural past haunts the present and future and mourns what never comes.
If Janet Jackson wanted to declare independence from her famous family, she didn’t entirely succeed with her debut LP. It wasn’t until 1986’s Control that she fully emerged.