The Loving Story's tale of this Supreme Court victory lays out both its legal and moral import, and then turns back to Richard and Mildred Loving in intimate, evocative images.
The makers of The Bleeding Edge on activist filmmaking, the dangers of medical deregulation, and Netflix as a platform for progressive filmmakers.
The people of Montana worked together to fight against the monetary and political damage caused by Citizen United. Reed's film documents that fight, and she talks with PopMatters about what that took, and what we, as citizens throughout America, must do next.
Kill the clichés. Rebel artfully. Writer-director-musician Boots Riley talks with Cynthia Fuchs about empowering the power of Art.
This documentary about a Japanese Immigrant in America during and after WWII dances with history, memory, and friendship.
Will it take the Black Panther world as long as it's taken every other white comic book hero world to build itself around wondrous women?
As we encounter so many broken promises, dangerous corruptions, and increasing assaults on journalism, Control Room‘s arguments about and insights into war and media only seem more acute, and tragically, lasting.
Rejecting regulations but immersed in movie metaphors, the central characters find their own forms of chaos, reframing it as a kind of freedom.
If the plot of Mudbound is familiar, its very repetition is devastating, especially in this moment in US history, when Trump and white supremacists dig up the past -- legacies of racism, abuse, and fear -- and make them horrifyingly incessant, inescapable.
Like Siddiq Barmak's 2003 film Osama, Nora Twomey's The Breadwinner presents the challenge to the girl who is "passing" in vivid detail.
"You been saying white folks coming out to vote in record numbers, in the rural areas. And why did they come out? Because he [Trump] spoke their language."
