Johnny Cash in Psycho-Heist Thriller ‘Door-to-Door Maniac’
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
In the vein of socially relevant topics at Venice Film Festival 2024, Queer, Joker: Folie a Deux, and 2073 got the island of Lido talking for different reasons.
Individualism was not the dominant force on the American frontier, as most Westerns would have you believe. Deadwood explores the era’s cooperation and moral optimism.
In Emilio Fernández’s Victims of Sin, a galaxy of important Mexican film and music artists collaborate on a tale of mambo music, martyred mothers, and melodrama.
Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.
Jussi Adler-Olsen’s Department Q crime thriller The Hanging Girl unravels in its 2024 film adaptation by Ole Christian Madsen, Boundless.
For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.
After her psychological-horror debut Saint Maud, cinema took Rose Glass’ bright new voice in genre filmmaking and, with Love Lies Bleeding, clipped her wings.
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
Fantasy, comedy, romance, reincarnation, animals and murder are ingredients for You Never Can Tell, a whimsical story with spoofs of film noir.
In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.
Did gaming the O.J. Simpson murder trial allow for deeper conversations about our most hidden emotions, ugliest prejudices, and disturbing desires?