Between the Grooves takes a deep dive into Tom Waits' Bone Machine. It's the one fans keep hidden amongst themselves, a secret treasure only the devout are privy to and the seasoned are worthy of. Simply put, it is not for the faint of heart.
Greg Dulli's Random Desire is striking in its unified exploration of what comes after — years after — a heartbreak. Not a mere collection of 10 songs, it is an album in the classic sense, each track as essential as a chapter in a book or a scene from a movie.
Chicago avant-pop artist Emily Blue merges electropop and hair metal into a synergy that sounds like they were destined to become entwined.
Midnight fulfills Stef Chura's promise. Broad in scope, its 12 songs cover a range of moods, tones, and energies.
The Go Rounds' "Foxtrot" heralds an album examining "the places, times, and relationships that hold our reflection," says songwriter Graham Parsons.
After a decade-long gestation, a collaboration between Detroit rapper Mister and UK producer Curt Cataract is bearing fruit. Hear their latest track "Holding It Up".
With its personal perspectives on the effects of the current cultural zeitgeist, Cherry Glazerr's Stuffed & Ready is not simply a great rock record, but an important document in the early days of 2019.
Chicago sextet the Curl's "Hit Em Where It Hurts" is the latest showcase of the group's addictive quirkiness.
The new year is off to an auspicious start for the High Strung and one of their novelist singers. Quiet Riots, the band's eighth studio album, is on the cusp of release, prefaced by a DIY video for energetic lead single "If You Wanna Roll"
Ronny Tibbs, a midwestern songwriter with a flair for the vintage, unveils "30-Year-Old Boy" ahead of his new four-year-in-the-making LP.
Neo-psychedelia and achingly beautiful vocals are the pillars of Chameleon Treat's swirling sound, traits they hone on sophomore record Basketpusher.
Toledo duo ROVR offers up drastic reworking of the White Stripes' classic "Seven Nation Army".
