Frank Zappa’s Serious Transformation: ‘The Perfect Stranger’ at 40
A prolific conductor and a sophisticated synthesizer make for an under-appreciated but vastly important album in Frank Zappa’s prodigious catalog.
A prolific conductor and a sophisticated synthesizer make for an under-appreciated but vastly important album in Frank Zappa’s prodigious catalog.
Ever-evolving experimental guitarist and composer Jessica Ackerley talks about – among other things – their eclectic and ambitious new solo album.
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
The combined forces of composer/vocalist/violinist Caroline Shaw and accomplished ensemble Sō Percussion continue to thrill and amaze.
Hannah Selin has created a profoundly engaging set of compositions on her debut LP. They are a sonic equivalent to deep sleep and vivid, complex dream states.
Kelly Moran explores the ghost in the machine on Moves in the Field, a delicate, thoughtful album of “solo” neoclassical piano explorations.
As a composer and performer, MIZU embraces uncharted territory with her cello not so much in hand but working fully as an extension of her body and voice.
Sublime Frequencies correct a grave injustice with this stunning new two-LP from Madhuvanti Pal, the first-ever vinyl record of a woman playing the rudra veena.
The orchestral music of Frank Zappa is required listening for any fan of 20th-century classical music, and The Yellow Shark is the best place to start.
Eclectic composer Jessica Pavone pays tribute to women-made inventions through powerful musical compositions and performances in her new string ensemble album.
Alam Khan’s The Resonance Between employs techniques from Hindustani and European art music traditions, but it’s about more than just fusion.
Though Lucian Ban and Mat Maneri’s Oedipe Redux is quite a technical achievement, it faces an uphill battle when it comes to stirring the soul.