‘No Songs Tomorrow’ Compiles the Best of 1980s Darkwave
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
What’s remarkable about We Can Work It Out is how it emphasizes the Beatles’ foundation-shaking effect on culture that occurred almost from the beginning.
Power pop has to have some punch. This can be manifested in different ways but is frequently through a hook-laden electric guitar line.
Howard Jones isn’t just a trendy pop warbler but a gifted singer-songwriter who understands the craft behind the perfect pop song better than most.
On Where Were You? the Leeds of 1978-1989 sounds like the times, but not a particular place. In that sense, it’s true indie music.
At the Stake: Complete Atlantic Recordings 1993-1996 gathers the three album run Melvins delivered during their short stint on a major label.
Fed Up and Feeling Strange: Live and in Person (1993-1998) shows the Dinosaur Jr maestro doesn’t need a wall of amplifiers to make an impact.
Cherry Red's new box set finds Iggy Pop and the Stooges on their final death trip, falling apart for audiences between September 1973 and February 1974.
Pere Ubu's The Long Goodbye is an amazing achievement that accomplishes its mission of encapsulating a 45-year career with wit and aplomb.
Over three discs and four hours, Cherry Red Records does a deep dive into the output of Liverpool's Inevitable Records, home to Pete Wylie and Pete Burns, among many others.
This exhaustive, 80-track compilation of lesser-knowns and curios is the synthpop equivalent of an antique mall.
Heavy, hairy, stoned, and scary: before the punks tuned out these bands were turning it up while turning on.